The arts
Room to grow

Could the futuristic, ultra-flexible architecture of the Taipei Performing Arts Center herald a shake up in the design of performance and exhibition spaces? Magali Robathan takes a look


The long-awaited Taipei Performing Arts Center in Taiwan has been completed.

Created by a team led by Rem Koolhaas and David Gianotten at OMA with local architect, Kris Yao, the 59,000sq m cultural centre has been designed as a highly flexible space suitable for the most experimental performances, and features “three theatres plugged into a central cube,” according to Gianotten. The theatres can be merged or modified, making them suitable for a whole host of different “unimagined and spontaneous forms.”

The general public can access a Public Loop, which runs through the theatre’s infrastructure production spaces – portal windows allow them to peek at performances and the technical spaces in between the theatres.

The spherical 800-seat Globe Playhouse, with an inner and an outer shell, “resembles a planet docking against the cube,” according to the architects. The intersection between the inner shell and the cube forms a unique proscenium for experimentation with stage framing.

The Grand Theater is a 1,500-seat theatre space for different performing arts genres. Opposite to it, on the same level, is the 840-seat Blue Box for the most experimental performances. When coupled, the two theatres become a Super Theater – a huge, factory-style space that can accommodate productions and events “otherwise only possible in found spaces”.

A new landscaped plaza beneath the theatre offers a further gathering space.

The centre is due to open to the public in August 2022 following a series of test performances.

Credit: OMA

"We wanted to contribute to the history of the theatre and we’re interested to see how this architecture will extend what we can do in theatres" – Rem Koolhaas

Credit: Fred Ernst

"We’re excited by how the building constantly generates new relationships between artists, spectators, and the public" –  David Gianotten

"This building sits at the centre of the plebian life of Taipei. Its informal, unpretentious, raw architecture echoes the spirits of how the citizens of Taipei approach art" –  Kris Yao

The futuristic 800-seat theatre aims to be as inclusive and flexible as possible Credit: Shephotoerd Co. Photography, courtesy of OMA
The general public can enter the theatre without a ticket via a Public Loop Credit: Shephotoerd Co. Photography, courtesy of OMA
The Taipei Performing Arts Center is located at the heart of Taipei’s Shilin Night Market Credit: OMA by Chris Stowers
 


CONTACT US

Leisure Media
Tel: +44 (0)1462 431385

©Cybertrek 2024

ABOUT LEISURE MEDIA
LEISURE MEDIA MAGAZINES
LEISURE MEDIA HANDBOOKS
LEISURE MEDIA WEBSITES
LEISURE MEDIA PRODUCT SEARCH
PRINT SUBSCRIPTIONS
FREE DIGITAL SUBSCRIPTIONS
 
20 Apr 2024 Leisure Management: daily news and jobs
 
 
HOME
JOBS
NEWS
FEATURES
PRODUCTS
FREE DIGITAL SUBSCRIPTION
PRINT SUBSCRIPTION
ADVERTISE
CONTACT US
Sign up for FREE ezine

Features List



SELECTED ISSUE
Attractions Management
2022 issue 1

View issue contents

Leisure Management - Room to grow

The arts

Room to grow


Could the futuristic, ultra-flexible architecture of the Taipei Performing Arts Center herald a shake up in the design of performance and exhibition spaces? Magali Robathan takes a look

The Globe Playhouse was designed to resemble “a planet docking against the cube” Shephotoerd Co. Photography, courtesy of OMA
The futuristic 800-seat theatre aims to be as inclusive and flexible as possible Shephotoerd Co. Photography, courtesy of OMA
The general public can enter the theatre without a ticket via a Public Loop Shephotoerd Co. Photography, courtesy of OMA
The Taipei Performing Arts Center is located at the heart of Taipei’s Shilin Night Market OMA by Chris Stowers

The long-awaited Taipei Performing Arts Center in Taiwan has been completed.

Created by a team led by Rem Koolhaas and David Gianotten at OMA with local architect, Kris Yao, the 59,000sq m cultural centre has been designed as a highly flexible space suitable for the most experimental performances, and features “three theatres plugged into a central cube,” according to Gianotten. The theatres can be merged or modified, making them suitable for a whole host of different “unimagined and spontaneous forms.”

The general public can access a Public Loop, which runs through the theatre’s infrastructure production spaces – portal windows allow them to peek at performances and the technical spaces in between the theatres.

The spherical 800-seat Globe Playhouse, with an inner and an outer shell, “resembles a planet docking against the cube,” according to the architects. The intersection between the inner shell and the cube forms a unique proscenium for experimentation with stage framing.

The Grand Theater is a 1,500-seat theatre space for different performing arts genres. Opposite to it, on the same level, is the 840-seat Blue Box for the most experimental performances. When coupled, the two theatres become a Super Theater – a huge, factory-style space that can accommodate productions and events “otherwise only possible in found spaces”.

A new landscaped plaza beneath the theatre offers a further gathering space.

The centre is due to open to the public in August 2022 following a series of test performances.

Credit: OMA

"We wanted to contribute to the history of the theatre and we’re interested to see how this architecture will extend what we can do in theatres" – Rem Koolhaas

Credit: Fred Ernst

"We’re excited by how the building constantly generates new relationships between artists, spectators, and the public" –  David Gianotten

"This building sits at the centre of the plebian life of Taipei. Its informal, unpretentious, raw architecture echoes the spirits of how the citizens of Taipei approach art" –  Kris Yao


Originally published in Attractions Management 2022 issue 1

Published by Leisure Media Tel: +44 (0)1462 431385 | Contact us | About us | © Cybertrek Ltd