NEWS
Daniel Libeskind’s ‘Chinese dragon’ pavilion takes centre stage at Milan Expo
POSTED 07 May 2015 . BY Jason Holland
Daniel Libeskind’s pavilion is based on the concept of traditional Chinese landscape painting Credit: Studio Libeskind
New York-based architect Daniel Libeskind’s pavilion for Chinese real estate company Vanke has been unveiled at the Milan Expo 2015.

Resembling a dragon and featuring 4,000 shimmering ceramic tiles that look like scales, the pavilion seeks to explore the expo’s theme of ‘Feeding the Planet’ by reimagining a traditional Chinese shitang, or dining hall.

Libeskind designed the three-dimensional red metalised tiles with the Italian company Casalgrande Padana, and they appear to change colour from red and pink to gold and white. The geometric panels also possess self-cleaning and air purification properties.

The 1,000sq m (10,764sq ft) pavilion takes traditional Chinese landscape painting – rock formations, rice fields, and prehistoric outcrops – as inspiration. According to Studio Libeskind, it aims to tell the story of civilisation, technology and the 21st century as well as offer a space for reflection and a celebration of different cultures.

Situated on the edge of the expo’s Lake Arena, the pavilion appears to rise from the east forming a dynamic vertical landscape, with its design featuring a sinuous geometrical pattern that flows between the inside and outside. It comes complete with a roof-top observation deck.

The pavilion is among a collection of striking designs at the expo, including the beehive-themed UK pavilion from artist Wolfgang Buttress and architects BDP.

However, the opening of the Milan Expo on 1 May was marred by violence as police fired tear gas at people protesting against the six-month event. Among an array of issues, protesters were demonstrating against the expo’s reliance on volunteer workers and the involvement of big corporations, as well as a belief that much of the public money used to fund the project had been lost to corruption.
The panels have a metallic surface that changes as light and viewpoints shift Credit: Studio Libeskind
A grand staircase clad in a white mosaic tile guides visitors to the upper levels Credit: Studio Libeskind
PROJECT PROFILE:

Milan Expo 2015
The team behind the upcoming Milan Expo is putting the finishing touches to the world fair before its debut in May. Masterplaned by a team consisting of Jacques Herzog, Mark Rylander, Ricky Burdett, Stefano Boeri, and William McDonough, each pavillion will range from 400sq m (4,305sq ft) to 6,000sq m (64,583 sq ft), with around 50 per cent of the Expo area occupied by pavilions. 35 per cent of the area is dedicated to external space, while 15 per cent comprises a green perimeter around the expo site. In addition, the site will include a large artificial lake surrounded by 20 pavilions representing each of the Italian regions, a 12,000-seat amphitheatre and a 6,000 seat auditorium. Pavilion design: Azerbaijan - Simmetrico Network Slovenia - SoNo Arhitekti Israel - Knafo Klimor-Design Czech Republic - Chybik + Kristof Spain - b720 US - Biber Architects Vietnam - Vo Trong Nghai China - Daniel Libeskind/Studio Link-Arc Italy - Nemesi & Partners Austria - team.breathe.austria UK - Wolfgang Buttress Thailand - The Office of Bangkok Architects (OBA) Iran - Naqsh,E,Jahan-Pars (NJP) UAE - Foster + Partners

Location: Italy

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The team behind the upcoming Milan Expo is putting the finishing touches to the world fair before its debut in May.
 


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07 May 2015

Daniel Libeskind’s ‘Chinese dragon’ pavilion takes centre stage at Milan Expo
BY Jason Holland

Daniel Libeskind’s pavilion is based on the concept of traditional Chinese landscape painting

Daniel Libeskind’s pavilion is based on the concept of traditional Chinese landscape painting
photo: Studio Libeskind

New York-based architect Daniel Libeskind’s pavilion for Chinese real estate company Vanke has been unveiled at the Milan Expo 2015.

Resembling a dragon and featuring 4,000 shimmering ceramic tiles that look like scales, the pavilion seeks to explore the expo’s theme of ‘Feeding the Planet’ by reimagining a traditional Chinese shitang, or dining hall.

Libeskind designed the three-dimensional red metalised tiles with the Italian company Casalgrande Padana, and they appear to change colour from red and pink to gold and white. The geometric panels also possess self-cleaning and air purification properties.

The 1,000sq m (10,764sq ft) pavilion takes traditional Chinese landscape painting – rock formations, rice fields, and prehistoric outcrops – as inspiration. According to Studio Libeskind, it aims to tell the story of civilisation, technology and the 21st century as well as offer a space for reflection and a celebration of different cultures.

Situated on the edge of the expo’s Lake Arena, the pavilion appears to rise from the east forming a dynamic vertical landscape, with its design featuring a sinuous geometrical pattern that flows between the inside and outside. It comes complete with a roof-top observation deck.

The pavilion is among a collection of striking designs at the expo, including the beehive-themed UK pavilion from artist Wolfgang Buttress and architects BDP.

However, the opening of the Milan Expo on 1 May was marred by violence as police fired tear gas at people protesting against the six-month event. Among an array of issues, protesters were demonstrating against the expo’s reliance on volunteer workers and the involvement of big corporations, as well as a belief that much of the public money used to fund the project had been lost to corruption.



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