NEWS
Brexit threatens to reduce museum collections says head of Victoria and Albert
POSTED 05 Oct 2017 . BY Rob Gibson
The V&A relies on loaned artefacts for some of its best collections, as do other museums around Europe rely on loans from it Credit: V&A
Exit from the EU could have a profound effect on the lending and borrowing of our collections
– Dr Tristram Hunt, director of the V&A
Britain’s exit from the EU poses a major threat to the future of museum collections, according to the director of the Victoria and Albert Museum (V&A).

Dr Tristram Hunt became director of the V&A in January, replacing Martin Roth, who resigned from his position in September 2016 partly due to his disillusionment at the Brexit vote. Roth died in August this year.

Speaking yesterday at the National Conference of Visitor Attractions (VAC 2017), Hunt voiced his own concerns for the future success of museums, galleries and other tourist attractions in the UK.

The former Labour MP and shadow education secretary said: “For the V&A and other museums the impact of our exit from the EU could have a profound effect on the lending and borrowing of our collections, potentially jeopardising our ability to function as world-class exhibition venues, reducing our capacity to share our collections with others and limiting the formation of constructive cultured partnerships.”

The V&A’s loans-out programme currently sees the largest number of objects travelling to EU countries and during the past year, 51% of loans to temporary exhibitions were to venues inside the EU and European Economic Area.

The V&A relies heavily on loans in from EU countries for its own temporary exhibitions. Under current EU regulations these objects are transported in free circulation and no import duty or tax is applicable.

Hunt said: “Exit from the Customs Union and the introduction of a system of customs clearance could result in import duties and VAT, increased transit fees and significant delays to both documentation and transit times.

“Acquisition by gift or purchase are also likely to incur similar budget impacted taxes. These increased costs and levels of bureaucracy are very real risks for UK museums and galleries that could severely restrict our ability to maintain the level of lending, borrowing and acquiring artefacts previously enjoyed by the UK public and our international visitors.”

The movement of people was also a major concern for the sector, he said, either through loss of staff or lengthy, costly visa processes. He called for people in the industry to project a “creative, confident and cosmopolitan” United Kingdom.

“Continued investment in the institutions and vehicles that export British soft power will only become more vital as the Brexit process continues,” Hunt said. “Britain’s incredible visitor attractions are one of the UK’s major assets and a vital contribution to our soft power. The industry’s ability to reinvent itself and leverage its unique, historical and contemporary relevance has helped it appeal to visitors from across the globe. We need to ensure the UK remains an open accessible destination.”

In his new role, Hunt has overseen a number of big events including The Pink Floyd Exhibition: Their Mortal Remains. Since the opening of Exhibition Road Quarter in June the V&A has had its largest ever visitor numbers for July and August, and the museum has been named TripAdvisor Museum of the Year.
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  Former V&A director Martin Roth dies aged 62


Martin Roth - the former Victoria and Albert Museum (V&A) director and the first German to head up a major UK cultural institution - has died aged 62.
  V&A introduces secondary school DesignLab education scheme


The Victoria and Albert (V&A) museum is using the £100,000 (US$130,000, €118,000) prize it received in 2016 for winning the Art Fund’s Museum of the Year to launch a programme to support art and design education in secondary schools.
  Labour MP Tristram Hunt named new director of London's V&A Museum


Tristram Hunt – Labour MP for Stoke-on-Trent Central – is to step down from his position in order to become the new director of London’s Victoria and Albert Museum (V&A).
  Brexit disillusionment hastens V&A director resignation


Martin Roth has resigned from his position as director of the Victoria and Albert Museum (V&A) – a decision fuelled in-part by his disillusionment at the recent Brexit vote.
 


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05 Oct 2017

Brexit threatens to reduce museum collections says head of Victoria and Albert
BY Rob Gibson

The V&A relies on loaned artefacts for some of its best collections, as do other museums around Europe rely on loans from it

The V&A relies on loaned artefacts for some of its best collections, as do other museums around Europe rely on loans from it
photo: V&A

Britain’s exit from the EU poses a major threat to the future of museum collections, according to the director of the Victoria and Albert Museum (V&A).

Dr Tristram Hunt became director of the V&A in January, replacing Martin Roth, who resigned from his position in September 2016 partly due to his disillusionment at the Brexit vote. Roth died in August this year.

Speaking yesterday at the National Conference of Visitor Attractions (VAC 2017), Hunt voiced his own concerns for the future success of museums, galleries and other tourist attractions in the UK.

The former Labour MP and shadow education secretary said: “For the V&A and other museums the impact of our exit from the EU could have a profound effect on the lending and borrowing of our collections, potentially jeopardising our ability to function as world-class exhibition venues, reducing our capacity to share our collections with others and limiting the formation of constructive cultured partnerships.”

The V&A’s loans-out programme currently sees the largest number of objects travelling to EU countries and during the past year, 51% of loans to temporary exhibitions were to venues inside the EU and European Economic Area.

The V&A relies heavily on loans in from EU countries for its own temporary exhibitions. Under current EU regulations these objects are transported in free circulation and no import duty or tax is applicable.

Hunt said: “Exit from the Customs Union and the introduction of a system of customs clearance could result in import duties and VAT, increased transit fees and significant delays to both documentation and transit times.

“Acquisition by gift or purchase are also likely to incur similar budget impacted taxes. These increased costs and levels of bureaucracy are very real risks for UK museums and galleries that could severely restrict our ability to maintain the level of lending, borrowing and acquiring artefacts previously enjoyed by the UK public and our international visitors.”

The movement of people was also a major concern for the sector, he said, either through loss of staff or lengthy, costly visa processes. He called for people in the industry to project a “creative, confident and cosmopolitan” United Kingdom.

“Continued investment in the institutions and vehicles that export British soft power will only become more vital as the Brexit process continues,” Hunt said. “Britain’s incredible visitor attractions are one of the UK’s major assets and a vital contribution to our soft power. The industry’s ability to reinvent itself and leverage its unique, historical and contemporary relevance has helped it appeal to visitors from across the globe. We need to ensure the UK remains an open accessible destination.”

In his new role, Hunt has overseen a number of big events including The Pink Floyd Exhibition: Their Mortal Remains. Since the opening of Exhibition Road Quarter in June the V&A has had its largest ever visitor numbers for July and August, and the museum has been named TripAdvisor Museum of the Year.



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