People profiles
Carsten Höller, artist


Unusual things were taking place at London’s Southbank Centre this summer, as the artist Carsten Höller was given free rein at the Hayward Gallery. An array of installations – both eclectic and eccentric – were brought together for the exhibition, named Decisions.

Höller caused a buzz with his specially-commissioned 15-metre-long (49 foot) slides on the gallery’s exterior – which allowed visitors to travel from the glass pyramid ceiling to the entrance level – and inside the venue things were equally playful.

One highlight was two moving robotic beds that roamed the galleries, entitled Two Roaming Beds (Grey). For £300 ($461, €421), you and your guest could spend the night in the gallery, tucked up beneath your duvet as you trundled slowly amongst the artworks on a bed-machine on wheels.

Visitors were treated to Flying Machines, which gave the sensation of flying over Waterloo Bridge and The Pinocchio Effect, with technology that made visitors feel as though their nose was growing.

The Isomeric Slides, which have been already featured at the nearby Tate Modern, come at the climax of the experience, giving visitors the choice of how to leave. Built onto the gallery’s exterior wall, these constituted “a graceful sculptural installation,” according to Höller, leaving visitors “experiencing an emotional state that is a unique condition somewhere between delight and madness.”

Visitors are offered a unique way to exit the gallery, travelling on the twisting slides Credit: PHOTO: ©Linda Nylind
Carsten Höller’s twisting Isomeric Slides outside the Hayward Gallery Credit: PHOTO: ©David Levene
Two Roaming Beds (Grey) gives guests an alternative perspective on the gallery Credit: PHOTO: ©David Levene
 


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25 Nov 2020 Leisure Management: daily news and jobs
 
 
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SELECTED ISSUE
Attractions Management
2015 issue 4

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Leisure Management - Carsten Höller, artist

People profiles

Carsten Höller, artist
Carsten Höller, artist PHOTO: John Scarisbrick
Visitors are offered a unique way to exit the gallery, travelling on the twisting slides PHOTO: ©Linda Nylind
Carsten Höller’s twisting Isomeric Slides outside the Hayward Gallery PHOTO: ©David Levene
Two Roaming Beds (Grey) gives guests an alternative perspective on the gallery PHOTO: ©David Levene

Unusual things were taking place at London’s Southbank Centre this summer, as the artist Carsten Höller was given free rein at the Hayward Gallery. An array of installations – both eclectic and eccentric – were brought together for the exhibition, named Decisions.

Höller caused a buzz with his specially-commissioned 15-metre-long (49 foot) slides on the gallery’s exterior – which allowed visitors to travel from the glass pyramid ceiling to the entrance level – and inside the venue things were equally playful.

One highlight was two moving robotic beds that roamed the galleries, entitled Two Roaming Beds (Grey). For £300 ($461, €421), you and your guest could spend the night in the gallery, tucked up beneath your duvet as you trundled slowly amongst the artworks on a bed-machine on wheels.

Visitors were treated to Flying Machines, which gave the sensation of flying over Waterloo Bridge and The Pinocchio Effect, with technology that made visitors feel as though their nose was growing.

The Isomeric Slides, which have been already featured at the nearby Tate Modern, come at the climax of the experience, giving visitors the choice of how to leave. Built onto the gallery’s exterior wall, these constituted “a graceful sculptural installation,” according to Höller, leaving visitors “experiencing an emotional state that is a unique condition somewhere between delight and madness.”


Originally published in Attractions Management 2015 issue 4

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